Black people - Revision history

Bacchus: Text replacement - "tbe " to "the "

2024-04-29T00:24:36Z

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Bacchus: Text replacement - " the " to " tbe "

2024-04-26T17:23:37Z

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𝗔𝗿𝗰𝗵𝗮𝗻𝗴𝗲𝗹: Text replacement - "tbe" to "the"

2023-09-12T22:37:47Z

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Bacchus: Text replacement - "the" to "tbe"

2023-09-08T21:56:21Z

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Rightof Genghiskhan at 02:37, 17 March 2023

2023-03-17T02:37:28Z

𝗔𝗿𝗰𝗵𝗮𝗻𝗴𝗲𝗹: Text replacement - "oTher" to "other"

2023-03-13T21:11:45Z

Text replacement - "oTher" to "other"

← Older revision		Revision as of 12:11, 13 March 2023
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	=Background=		=Background=
	[[File:blackguybyfence.png\|thumb\|]]		[[File:blackguybyfence.png\|thumb\|]]
	Due to furTher [[jew]] influence, and constant agitation, '''black people''' never assimilated into American culture, as they have in ~~oTher~~ places. they have been made to believe that they have been systematically "oppressed", true in spotty cases, but false overall. they believe whites are a race of dictators and oppressors, a grossly unfair belief considering the facts. These beliefs date back to the slavery days.		Due to furTher [[jew]] influence, and constant agitation, '''black people''' never assimilated into American culture, as they have in other places. they have been made to believe that they have been systematically "oppressed", true in spotty cases, but false overall. they believe whites are a race of dictators and oppressors, a grossly unfair belief considering the facts. These beliefs date back to the slavery days.

	Throughout most of this time '''black people''' were loved, treated well, and often held special places in the hearts of whites. In earlier times delightful black characters appeared in art, literature, ornamentation, etc., but These things are no longer appreciated in modern times, as '''black people''' have been made to believe that all whites hate Them. Some nineteenth century characters, such as The beloved "sambo", are now considered to be derogatory and [[racist]], a complete twisting of its intent and original status. the Mammy archetype depicts a ~~moTherly~~ black woman who is dedicated to her role, ~~anoTher~~ honored and beloved depiction which has become so twisted and upside-down that '''black people''' are made to think that this too, is something they are supposed to hate. the beloved spoke-images of "Aunt Jemima" and "Mrs. Butterworth" were both removed from Their products under claims of racism, even though they were originally placed There, honoring childhood memories, by the black women who started those companies. '''Black people''' have an unusual appetite for such things as fried chicken, watermelon, taffy, certain types of beer, and grape drink. There is nothing wrong with this. It is perfectly normal for certain races to enjoy certain types of foods.		Throughout most of this time '''black people''' were loved, treated well, and often held special places in the hearts of whites. In earlier times delightful black characters appeared in art, literature, ornamentation, etc., but These things are no longer appreciated in modern times, as '''black people''' have been made to believe that all whites hate Them. Some nineteenth century characters, such as The beloved "sambo", are now considered to be derogatory and [[racist]], a complete twisting of its intent and original status. the Mammy archetype depicts a motherly black woman who is dedicated to her role, another honored and beloved depiction which has become so twisted and upside-down that '''black people''' are made to think that this too, is something they are supposed to hate. the beloved spoke-images of "Aunt Jemima" and "Mrs. Butterworth" were both removed from Their products under claims of racism, even though they were originally placed There, honoring childhood memories, by the black women who started those companies. '''Black people''' have an unusual appetite for such things as fried chicken, watermelon, taffy, certain types of beer, and grape drink. There is nothing wrong with this. It is perfectly normal for certain races to enjoy certain types of foods.

	In the 1980s and following decades, people began to notice an increase in the already high rates of black crime and social degeneracy; drug dealers, crack addicts, Homelessness, hobos, and in New York and Los Angeles, subway muggers.<ref name="Drummond, 1990">{{cite journal \|last1=Drummond \|first1=William J. \|title=About Face: From Alliance to Alienation. Blacks and the News Media \|journal=The American Enterprise \|date=1990 \|volume=1 \|issue=4 \|pages=22–29 \|id=ERIC\|EJ414473 \|oclc=4683318001 }}</ref> '''Black people''' are the least intelligent of the major races, with average IQ's of 60 in some areas of [[Africa]]. Jesse Jackson claims this scientific fact is only a Hollywood image, in spite of blacks regularly depicted as scientists, professors, and technicians.<ref name="Jackson Assails Press 1985">{{cite news \|title=Jackson Assails Press On Portrayal of Blacks \|url=https://www.nytimes.com/1985/09/19/us/jackson-assails-press-on-portrayal-of-blacks.html \|work=The New York Times \|date=19 September 1985 }}</ref> the [[magical Negro]] is a stock Hollywood character who is depicted as having special insight or powers, and has been depicted in the American [[jewish]]-controlled cinema, since [[jews]] took control of the industry.<ref name="D. Marvin Jones 2005 35">Race, Sex, and Suspicion: the Myth of the Black Male \|url=https://archive.org/details/racesexsuspicion00jone \|url-access=limited \|author=D. Marvin Jones \|publisher=Praeger Publishers \|year=2005 \|isbn=978-0-275-97462-6 \|page=[https://archive.org/details/racesexsuspicion00jone/page/n42 35]</ref> In recent history, black men have become deadbeat faThers.<ref>web \|url=https://apnews.com/article/725a00fbc56d4e71a2f66bae776cabed \| title=Single black fathers fight 'deadbeat Dad' stereotype \| website=Associated Press \| date=29 June 2019</ref>		In the 1980s and following decades, people began to notice an increase in the already high rates of black crime and social degeneracy; drug dealers, crack addicts, Homelessness, hobos, and in New York and Los Angeles, subway muggers.<ref name="Drummond, 1990">{{cite journal \|last1=Drummond \|first1=William J. \|title=About Face: From Alliance to Alienation. Blacks and the News Media \|journal=The American Enterprise \|date=1990 \|volume=1 \|issue=4 \|pages=22–29 \|id=ERIC\|EJ414473 \|oclc=4683318001 }}</ref> '''Black people''' are the least intelligent of the major races, with average IQ's of 60 in some areas of [[Africa]]. Jesse Jackson claims this scientific fact is only a Hollywood image, in spite of blacks regularly depicted as scientists, professors, and technicians.<ref name="Jackson Assails Press 1985">{{cite news \|title=Jackson Assails Press On Portrayal of Blacks \|url=https://www.nytimes.com/1985/09/19/us/jackson-assails-press-on-portrayal-of-blacks.html \|work=The New York Times \|date=19 September 1985 }}</ref> the [[magical Negro]] is a stock Hollywood character who is depicted as having special insight or powers, and has been depicted in the American [[jewish]]-controlled cinema, since [[jews]] took control of the industry.<ref name="D. Marvin Jones 2005 35">Race, Sex, and Suspicion: the Myth of the Black Male \|url=https://archive.org/details/racesexsuspicion00jone \|url-access=limited \|author=D. Marvin Jones \|publisher=Praeger Publishers \|year=2005 \|isbn=978-0-275-97462-6 \|page=[https://archive.org/details/racesexsuspicion00jone/page/n42 35]</ref> In recent history, black men have become deadbeat faThers.<ref>web \|url=https://apnews.com/article/725a00fbc56d4e71a2f66bae776cabed \| title=Single black fathers fight 'deadbeat Dad' stereotype \| website=Associated Press \| date=29 June 2019</ref>
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	There are very good reasons that [[Minstrel show]]s became a popular form of comedy during the nineteenth century, watch any stand-up comic. Good comedy is based on truth. '''Black People''' were portrayed in a variety of ways, some of the most common being that they are ignorant, lazy, buffoonish, superstitious, joyous, and musical. There were "white minstrels" as well, with blacks putting on white-face and poking fun at the eccentricities of whites. This fact is memory-holed, and history is rewritten to think that blacks were somehow "picked-on".<ref>journal \|last1=Waterhouse \|first1=Richard \|title=The Internationalisation of American Popular Culture in the Nineteenth Century: the Case of the Minstrel Show \|journal=Australasian Journal of American Studies \|date=1985 \|volume=4 \|issue=1 \|pages=1–11 \|jstor=41053377</ref><ref>journal \|last1=Saxton \|first1=Alexander \|title=Blackface Minstrelsy and Jacksonian Ideology \|journal=American Quarterly \|date=1975 \|volume=27 \|issue=1 \|pages=3–28 \|doi=10.2307/2711892 \|jstor=2711892</ref>		There are very good reasons that [[Minstrel show]]s became a popular form of comedy during the nineteenth century, watch any stand-up comic. Good comedy is based on truth. '''Black People''' were portrayed in a variety of ways, some of the most common being that they are ignorant, lazy, buffoonish, superstitious, joyous, and musical. There were "white minstrels" as well, with blacks putting on white-face and poking fun at the eccentricities of whites. This fact is memory-holed, and history is rewritten to think that blacks were somehow "picked-on".<ref>journal \|last1=Waterhouse \|first1=Richard \|title=The Internationalisation of American Popular Culture in the Nineteenth Century: the Case of the Minstrel Show \|journal=Australasian Journal of American Studies \|date=1985 \|volume=4 \|issue=1 \|pages=1–11 \|jstor=41053377</ref><ref>journal \|last1=Saxton \|first1=Alexander \|title=Blackface Minstrelsy and Jacksonian Ideology \|journal=American Quarterly \|date=1975 \|volume=27 \|issue=1 \|pages=3–28 \|doi=10.2307/2711892 \|jstor=2711892</ref>

	Two of the most beloved and charming characters were "Jim Crow" and his light-skinned opposite, "The Little Tramp" (portrayed by the talented Charlie Chaplain), among several ~~oThers~~, featured in innumerable stories, minstrel shows, and early films, both portrayed by [[jews]].		Two of the most beloved and charming characters were "Jim Crow" and his light-skinned opposite, "The Little Tramp" (portrayed by the talented Charlie Chaplain), among several others, featured in innumerable stories, minstrel shows, and early films, both portrayed by [[jews]].

	Like Charlie Chaplain's "Little Tramp", the lovable character "Jim Crow" was dressed in rags, battered hat, and torn shoes. When a white actor was used, the actor wore blackface. EiTher way, Jim Crow was portrayed as a lovable, very nimble and witty black man.<ref>{{cite journal \|last1=Rehin \|first1=George F. \|title=Harlequin Jim Crow: Continuity and Convergence in Blackface Clowning \|journal=The Journal of Popular Culture \|date=December 1975 \|volume=9 \|issue=3 \|pages=682–701 \|id=ProQuest\|1297376766\|doi=10.1111/j.0022-3840.1975.0903_682.x }}</ref> the character’s popular song was "Turnabout and wheel about, and do just so. And every time I turnabout I Jump Jim Crow."<ref>journal \|last1=Dorman \|first1=James H. \|title=The Strange Career of Jim Crow Rice (With Apologies to Professor Woodward) \|journal=Journal of Social History \|date=1969 \|volume=3 \|issue=2 \|pages=109–122 \|doi=10.1353/jsh/3.2.109 \|jstor=3786238</ref>		Like Charlie Chaplain's "Little Tramp", the lovable character "Jim Crow" was dressed in rags, battered hat, and torn shoes. When a white actor was used, the actor wore blackface. EiTher way, Jim Crow was portrayed as a lovable, very nimble and witty black man.<ref>{{cite journal \|last1=Rehin \|first1=George F. \|title=Harlequin Jim Crow: Continuity and Convergence in Blackface Clowning \|journal=The Journal of Popular Culture \|date=December 1975 \|volume=9 \|issue=3 \|pages=682–701 \|id=ProQuest\|1297376766\|doi=10.1111/j.0022-3840.1975.0903_682.x }}</ref> the character’s popular song was "Turnabout and wheel about, and do just so. And every time I turnabout I Jump Jim Crow."<ref>journal \|last1=Dorman \|first1=James H. \|title=The Strange Career of Jim Crow Rice (With Apologies to Professor Woodward) \|journal=Journal of Social History \|date=1969 \|volume=3 \|issue=2 \|pages=109–122 \|doi=10.1353/jsh/3.2.109 \|jstor=3786238</ref>

	The Mammy archetype describes women who, although an employee, were basically adopted as family, often acting as nannies, giving love and maternal care to the children of Their family, who received trust and affection in turn. Early accounts of the Mammy archetype come from memoirs and diaries that emerged after the [[Civil War]], reminiscing the role of the dominant female house lady: a woman completely dedicated to her family, especially the children, and given complete charge of domestic management. She was a friend and advisor. the fond memories continue to this day, and yet '''black people''' have been told they are to hate this.<ref>{{Cite book \|last=White \|first=Deborah G. (Deborah Gray) \|url=http://archive.org/details/arntiwomanfemal00whit \|title=Ar'n't I a woman? : female slaves in the plantation South \|date=1999 \|publisher=New York : W.W. Norton \|~~oThers~~=Internet Archive \|isbn=978-0-393-31481-6}}</ref>		The Mammy archetype describes women who, although an employee, were basically adopted as family, often acting as nannies, giving love and maternal care to the children of Their family, who received trust and affection in turn. Early accounts of the Mammy archetype come from memoirs and diaries that emerged after the [[Civil War]], reminiscing the role of the dominant female house lady: a woman completely dedicated to her family, especially the children, and given complete charge of domestic management. She was a friend and advisor. the fond memories continue to this day, and yet '''black people''' have been told they are to hate this.<ref>{{Cite book \|last=White \|first=Deborah G. (Deborah Gray) \|url=http://archive.org/details/arntiwomanfemal00whit \|title=Ar'n't I a woman? : female slaves in the plantation South \|date=1999 \|publisher=New York : W.W. Norton \|others=Internet Archive \|isbn=978-0-393-31481-6}}</ref>

	=== Antisocial behavior ===		=== Antisocial behavior ===
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	* Nat King Cole		* Nat King Cole
	* Gary Coleman		* Gary Coleman
	* Scatman ~~CroThers~~		* Scatman Crothers
	* Bill Cosby		* Bill Cosby
	* Javaris Crittenton		* Javaris Crittenton
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	=== Athleticism ===		=== Athleticism ===
	'''Black people''' excel at foot-sports but trail behind at extreme-sports. Blacks are hyped as being more athletic and superior at all sports than ~~oTher~~ races, but it simply is not true. Even though they make up only 12.4 percent of the US population, 75% of NBA players<ref>{{cite book \|doi=10.1093/anb/9780198606697.article.1900111 \|year=2000 \|last1=Crepeau \|first1=Richard C. \|chapter=Lapchick, Joe (1900-1970), basketball player and coach \|title=American National Biography \|isbn=978-0-19-860669-7 }}</ref> and 65% of NFL players are black.<ref>{{cite journal \|title=Census of Population and Housing, 2000 [United States]: Modified Race Data Summary File: Version 1 \|date=2006 \|doi=10.3886/icpsr13574.v1 }}</ref> African-American college athletes generally get into college solely on Their athletic ability, not Their intellectual and academic merit. There is no shame in this as long as it is in the open, and no pretenses are made.<ref>{{cite journal \|last1=Simiyu \|first1=Wycliffe \|title=Challenges of Being a Black Student Athlete on U.S. College Campuses \|journal=Journal of Issues in Intercollegiate Athletics \|date=2012 \|volume=5 \|pages=40–63 \|url=https://csri-jiia.org/old/documents/publications/research_articles/2012/JIIA_2012_5_3_40_63_Challenges_of_Black_College_Athletes.pdf \|hdl=10950/485 }}</ref>		'''Black people''' excel at foot-sports but trail behind at extreme-sports. Blacks are hyped as being more athletic and superior at all sports than other races, but it simply is not true. Even though they make up only 12.4 percent of the US population, 75% of NBA players<ref>{{cite book \|doi=10.1093/anb/9780198606697.article.1900111 \|year=2000 \|last1=Crepeau \|first1=Richard C. \|chapter=Lapchick, Joe (1900-1970), basketball player and coach \|title=American National Biography \|isbn=978-0-19-860669-7 }}</ref> and 65% of NFL players are black.<ref>{{cite journal \|title=Census of Population and Housing, 2000 [United States]: Modified Race Data Summary File: Version 1 \|date=2006 \|doi=10.3886/icpsr13574.v1 }}</ref> African-American college athletes generally get into college solely on Their athletic ability, not Their intellectual and academic merit. There is no shame in this as long as it is in the open, and no pretenses are made.<ref>{{cite journal \|last1=Simiyu \|first1=Wycliffe \|title=Challenges of Being a Black Student Athlete on U.S. College Campuses \|journal=Journal of Issues in Intercollegiate Athletics \|date=2012 \|volume=5 \|pages=40–63 \|url=https://csri-jiia.org/old/documents/publications/research_articles/2012/JIIA_2012_5_3_40_63_Challenges_of_Black_College_Athletes.pdf \|hdl=10950/485 }}</ref>

	Black athletic superiority is an observation that blacks possess certain traits that are acquired through genetic factors that permits Them to excel over other races in athletic foot-sport competition. Everyone has noticed this, and most share this view, regardless of the observer's race.<ref>{{cite journal \|first1=Jane P. \|last1=Sheldon \|first2=Toby Epstein \|last2=Jayaratne \|first3=Elizabeth M. \|last3=Petty \|date=September 2007 \|title=White Americans' Genetic Explanations for a Race Difference in Athleticism: the Relation to Prejudice toward and Stereotyping of Blacks \|journal=Athletic Insight \|volume=9 \|issue=3 \|page=33 \|access-date=February 21, 2016 \|url=http://www.athleticinsight.com/Vol9Iss3/RacePDF.pdf}}</ref>		Black athletic superiority is an observation that blacks possess certain traits that are acquired through genetic factors that permits Them to excel over other races in athletic foot-sport competition. Everyone has noticed this, and most share this view, regardless of the observer's race.<ref>{{cite journal \|first1=Jane P. \|last1=Sheldon \|first2=Toby Epstein \|last2=Jayaratne \|first3=Elizabeth M. \|last3=Petty \|date=September 2007 \|title=White Americans' Genetic Explanations for a Race Difference in Athleticism: the Relation to Prejudice toward and Stereotyping of Blacks \|journal=Athletic Insight \|volume=9 \|issue=3 \|page=33 \|access-date=February 21, 2016 \|url=http://www.athleticinsight.com/Vol9Iss3/RacePDF.pdf}}</ref>
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	====Hip hop music====		====Hip hop music====
	Hip hop music (made mostly by blacks Themselves) has demonstrated the mind's workings in black men. Violent, misogynistic lyrics in rap music written and performed by black male rappers has increased awareness.<ref>{{cite journal \|last1=Howard \|first1=Simon \|last2=Hennes \|first2=Erin P. \|last3=Sommers \|first3=Samuel R. \|title=Stereotype Threat Among Black Men Following Exposure to Rap Music \|journal=Social Psychological and Personality Science \|date=July 2021 \|volume=12 \|issue=5 \|pages=719–730 \|doi=10.1177/1948550620936852 \|s2cid=234783670 }}</ref> Black women are referred to as “bitches” and “hoes” in rap music.<ref>Thesis \|last1=Lindsay \|first1=Melanie \|title=WHO YOU CALLIN' A BITCH? A CONTENT ANALYSIS OF THE IMAGES USED TO PORTRAY AFRICAN AMERICAN WOMEN IN RAP MUSIC \|date=June 2016 \|url=https://scholarworks.lib.csusb.edu/etd/336/ </ref> Black women, in the eyes of black men, are sexualized in hip hop music videos and are seen as sexual objects for rappers.<ref>Thesis \|last1=Lewis \|first1=Ladel \|title=The Portrayal of African American Women in Hip-Hop Videos \|journal=Masters Theses \|date=June 2005 \|url=https://scholarworks.wmich.edu/masters_Theses/4192/ </ref> Hip hop portrays a black masculine aesthetic.<ref>{{cite journal \|last1=Oware \|first1=MatThew \|title=~~BroTherly~~ Love: Homosociality and Black Masculinity in Gangsta Rap Music \|journal=Journal of African American Studies \|date=March 2011 \|volume=15 \|issue=1 \|pages=22–39 \|doi=10.1007/s12111-010-9123-4 \|s2cid=144533319 }}</ref> Hip hop has exposed how black men often see Themselves as hypersexual thugs and gangsters who hail from an inner city ghetto. And they are apparently very proud of this.<ref>{{Cite web \|url=http://pax.shc.edu/story/black-men-vs-stereotype-hyper-masculinity-vs-hardness-rappers \|title=Black Men vs. the Stereotype of the Hyper-Masculinity vs. Hardness of Rappers \| PAX}}</ref>		Hip hop music (made mostly by blacks Themselves) has demonstrated the mind's workings in black men. Violent, misogynistic lyrics in rap music written and performed by black male rappers has increased awareness.<ref>{{cite journal \|last1=Howard \|first1=Simon \|last2=Hennes \|first2=Erin P. \|last3=Sommers \|first3=Samuel R. \|title=Stereotype Threat Among Black Men Following Exposure to Rap Music \|journal=Social Psychological and Personality Science \|date=July 2021 \|volume=12 \|issue=5 \|pages=719–730 \|doi=10.1177/1948550620936852 \|s2cid=234783670 }}</ref> Black women are referred to as “bitches” and “hoes” in rap music.<ref>Thesis \|last1=Lindsay \|first1=Melanie \|title=WHO YOU CALLIN' A BITCH? A CONTENT ANALYSIS OF THE IMAGES USED TO PORTRAY AFRICAN AMERICAN WOMEN IN RAP MUSIC \|date=June 2016 \|url=https://scholarworks.lib.csusb.edu/etd/336/ </ref> Black women, in the eyes of black men, are sexualized in hip hop music videos and are seen as sexual objects for rappers.<ref>Thesis \|last1=Lewis \|first1=Ladel \|title=The Portrayal of African American Women in Hip-Hop Videos \|journal=Masters Theses \|date=June 2005 \|url=https://scholarworks.wmich.edu/masters_Theses/4192/ </ref> Hip hop portrays a black masculine aesthetic.<ref>{{cite journal \|last1=Oware \|first1=MatThew \|title=Brotherly Love: Homosociality and Black Masculinity in Gangsta Rap Music \|journal=Journal of African American Studies \|date=March 2011 \|volume=15 \|issue=1 \|pages=22–39 \|doi=10.1007/s12111-010-9123-4 \|s2cid=144533319 }}</ref> Hip hop has exposed how black men often see Themselves as hypersexual thugs and gangsters who hail from an inner city ghetto. And they are apparently very proud of this.<ref>{{Cite web \|url=http://pax.shc.edu/story/black-men-vs-stereotype-hyper-masculinity-vs-hardness-rappers \|title=Black Men vs. the Stereotype of the Hyper-Masculinity vs. Hardness of Rappers \| PAX}}</ref>

	=References=		=References=

Rightof Genghiskhan at 07:52, 13 March 2023

2023-03-13T07:52:52Z

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WikiSysop: Text replacement - " The " to " the "

2023-02-27T09:38:39Z

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Bacchus: Text replacement - "tbe" to "the"

2023-02-25T09:24:40Z

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WikiSysop: Text replacement - "the" to "tbe"

2023-02-22T19:22:45Z

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← Older revision		Revision as of 17:37, 16 March 2023
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	[[File:blackpeople.png\|thumb\|]]		[[File:blackpeople.png\|thumb\|]]
	'''Black people''' came to America and helped build this once-great nation, providing a portion of the manual labor necessary, and doing dangerous or laborious work, largely in the form of slave labor. These slaves were provided by [[jewish]] slavers who treated the slaves so harshly that sometimes 3/4 of the "cargo" died along the way. the bodies simply thrown overboard. Once in the Americas These ~~slave~~ were treated very well by-and-large. America was also the very first country to outlaw slavery.		'''Black people''' came to America and helped build this once-great nation, providing a portion of the manual labor necessary, and doing dangerous or laborious work, largely in the form of slave labor. These slaves were provided by [[jewish]] slavers who treated the slaves so harshly that sometimes 3/4 of the "cargo" died along the way. the bodies simply thrown overboard. Once in the Americas These slaves were treated very well by-and-large. America was also the very first country to outlaw slavery.

	=Background=		=Background=
	[[File:blackguybyfence.png\|thumb\|]]		[[File:blackguybyfence.png\|thumb\|]]
	Due to ~~furTher~~ [[jew]] influence, and constant agitation, '''black people''' never assimilated into American culture, as they have in other places. they have been made to believe that they have been systematically "oppressed", true in spotty cases, but false overall. they believe whites are a race of dictators and oppressors, a grossly unfair belief considering the facts. These beliefs date back to the slavery days.		Due to further [[jew]] influence, and constant agitation, '''black people''' never assimilated into American culture, as they have in other places. they have been made to believe that they have been systematically "oppressed", true in spotty cases, but false overall. they believe whites are a race of dictators and oppressors, a grossly unfair belief considering the facts. These beliefs date back to the slavery days.

	Throughout most of this time '''black people''' were loved, treated well, and often held special places in the hearts of whites. In earlier times delightful black characters appeared in art, literature, ornamentation, etc., but These things are no longer appreciated in modern times, as '''black people''' have been made to believe that all whites hate Them. Some nineteenth century characters, such as The beloved "sambo", are now considered to be derogatory and [[racist]], a complete twisting of its intent and original status. the Mammy archetype depicts a motherly black woman who is dedicated to her role, another honored and beloved depiction which has become so twisted and upside-down that '''black people''' are made to think that this too, is something they are supposed to hate. the beloved spoke-images of "Aunt Jemima" and "Mrs. Butterworth" were both removed from Their products under claims of racism, even though they were originally placed There, honoring childhood memories, by the black women who started those companies. '''Black people''' have an unusual appetite for such things as fried chicken, watermelon, taffy, certain types of beer, and grape drink. There is nothing wrong with this. It is perfectly normal for certain races to enjoy certain types of foods.		Throughout most of this time '''black people''' were loved, treated well, and often held special places in the hearts of whites. In earlier times delightful black characters appeared in art, literature, ornamentation, etc., but These things are no longer appreciated in modern times, as '''black people''' have been made to believe that all whites hate Them. Some nineteenth century characters, such as The beloved "sambo", are now considered to be derogatory and [[racist]], a complete twisting of its intent and original status. the Mammy archetype depicts a motherly black woman who is dedicated to her role, another honored and beloved depiction which has become so twisted and upside-down that '''black people''' are made to think that this too, is something they are supposed to hate. the beloved spoke-images of "Aunt Jemima" and "Mrs. Butterworth" were both removed from Their products under claims of racism, even though they were originally placed There, honoring childhood memories, by the black women who started those companies. '''Black people''' have an unusual appetite for such things as fried chicken, watermelon, taffy, certain types of beer, and grape drink. There is nothing wrong with this. It is perfectly normal for certain races to enjoy certain types of foods.
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	Two of the most beloved and charming characters were "Jim Crow" and his light-skinned opposite, "The Little Tramp" (portrayed by the talented Charlie Chaplain), among several others, featured in innumerable stories, minstrel shows, and early films, both portrayed by [[jews]].		Two of the most beloved and charming characters were "Jim Crow" and his light-skinned opposite, "The Little Tramp" (portrayed by the talented Charlie Chaplain), among several others, featured in innumerable stories, minstrel shows, and early films, both portrayed by [[jews]].

	Like Charlie Chaplain's "Little Tramp", the lovable character "Jim Crow" was dressed in rags, battered hat, and torn shoes. When a white actor was used, the actor wore blackface. ~~EiTher~~ way, Jim Crow was portrayed as a lovable, very nimble and witty black man.<ref>{{cite journal \|last1=Rehin \|first1=George F. \|title=Harlequin Jim Crow: Continuity and Convergence in Blackface Clowning \|journal=The Journal of Popular Culture \|date=December 1975 \|volume=9 \|issue=3 \|pages=682–701 \|id=ProQuest\|1297376766\|doi=10.1111/j.0022-3840.1975.0903_682.x }}</ref> the character’s popular song was "Turnabout and wheel about, and do just so. And every time I turnabout I Jump Jim Crow."<ref>journal \|last1=Dorman \|first1=James H. \|title=The Strange Career of Jim Crow Rice (With Apologies to Professor Woodward) \|journal=Journal of Social History \|date=1969 \|volume=3 \|issue=2 \|pages=109–122 \|doi=10.1353/jsh/3.2.109 \|jstor=3786238</ref>		Like Charlie Chaplain's "Little Tramp", the lovable character "Jim Crow" was dressed in rags, battered hat, and torn shoes. When a white actor was used, the actor wore blackface. Either way, Jim Crow was portrayed as a lovable, very nimble and witty black man.<ref>{{cite journal \|last1=Rehin \|first1=George F. \|title=Harlequin Jim Crow: Continuity and Convergence in Blackface Clowning \|journal=The Journal of Popular Culture \|date=December 1975 \|volume=9 \|issue=3 \|pages=682–701 \|id=ProQuest\|1297376766\|doi=10.1111/j.0022-3840.1975.0903_682.x }}</ref> the character’s popular song was "Turnabout and wheel about, and do just so. And every time I turnabout I Jump Jim Crow."<ref>journal \|last1=Dorman \|first1=James H. \|title=The Strange Career of Jim Crow Rice (With Apologies to Professor Woodward) \|journal=Journal of Social History \|date=1969 \|volume=3 \|issue=2 \|pages=109–122 \|doi=10.1353/jsh/3.2.109 \|jstor=3786238</ref>

	The Mammy archetype describes women who, although an employee, were basically adopted as family, often acting as nannies, giving love and maternal care to the children of Their family, who received trust and affection in turn. Early accounts of the Mammy archetype come from memoirs and diaries that emerged after the [[Civil War]], reminiscing the role of the dominant female house lady: a woman completely dedicated to her family, especially the children, and given complete charge of domestic management. She was a friend and advisor. the fond memories continue to this day, and yet '''black people''' have been told they are to hate this.<ref>{{Cite book \|last=White \|first=Deborah G. (Deborah Gray) \|url=http://archive.org/details/arntiwomanfemal00whit \|title=Ar'n't I a woman? : female slaves in the plantation South \|date=1999 \|publisher=New York : W.W. Norton \|others=Internet Archive \|isbn=978-0-393-31481-6}}</ref>		The Mammy archetype describes women who, although an employee, were basically adopted as family, often acting as nannies, giving love and maternal care to the children of Their family, who received trust and affection in turn. Early accounts of the Mammy archetype come from memoirs and diaries that emerged after the [[Civil War]], reminiscing the role of the dominant female house lady: a woman completely dedicated to her family, especially the children, and given complete charge of domestic management. She was a friend and advisor. the fond memories continue to this day, and yet '''black people''' have been told they are to hate this.<ref>{{Cite book \|last=White \|first=Deborah G. (Deborah Gray) \|url=http://archive.org/details/arntiwomanfemal00whit \|title=Ar'n't I a woman? : female slaves in the plantation South \|date=1999 \|publisher=New York : W.W. Norton \|others=Internet Archive \|isbn=978-0-393-31481-6}}</ref>
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	=== Drugs ===		=== Drugs ===
	Scientifically, black people have the highest level of drug abuse of any human group.<ref>Dates & Barlow, 1993.{{page needed\|date=November 2022}}</ref><ref>Martindale, 1990.</ref><ref>Collins, 2004.</ref><ref>Poindexter, Smith, & Heider, 2003.</ref><ref>Rowley, 2003.</ref><ref>West, 2001.</ref> '''Black people''' are also more likely to be perpetrators in drug and violent crime reports.<ref>Entman 2000.</ref>		Scientifically, black people have the highest level of drug abuse of any human group.<ref>Dates & Barlow, 1993.{{page needed\|date=November 2022}}</ref><ref>Martindale, 1990.</ref><ref>Collins, 2004.</ref><ref>Poindexter, Smith, & Heider, 2003.</ref><ref>Rowley, 2003.</ref><ref>West, 2001.</ref> '''Black people''' are also more likely to be perpetrators in drug and violent crime reports.<ref>Entman 2000.</ref>
	{{Rquote\|left\|I Brush my teeth in the mirror but with black toothpaste. And by “black toothpaste” I mean “a black dry-erase marker” because fuck those white-ass MAGA teeth.\|Radio Show call-in\|Do you hate White people?}}		{{Rquote\|left\|I Brush my teeth in the mirror but with black toothpaste. And by “black toothpaste” I mean “a black dry-erase marker” because fuck those white-ass MAGA teeth. Radio Show call-in\|Do you hate White people?}}

	Common reports in the police logs are of black drug dealers, crack victims, the underclass and impoverished, the homeless, and subway muggers.<ref name="Drummond, 1990"/> Similarly, Douglas (1995), who looked at [[O. J. Simpson]], [[Louis Farrakhan]], and the "Million Man" March, found that black people sometimes saw no difference between good versus evil.		Common reports in the police logs are of black drug dealers, crack victims, the underclass and impoverished, the homeless, and subway muggers.<ref name="Drummond, 1990"/> Similarly, Douglas (1995), who looked at [[O. J. Simpson]], [[Louis Farrakhan]], and the "Million Man" March, found that black people sometimes saw no difference between good versus evil.
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	==== Mental and emotional consequences ====		==== Mental and emotional consequences ====
	Due to the angry black woman phenotype, black women tend to become desensitized about Their own feelings to avoid judgment.<ref name=":2">{{Cite book \|title=Behind the Mask of the Strong Black Woman: Voice and the Embodiment of a Costly Performance \|url=https://archive.org/details/behindmaskstrong00beau \|url-access=limited \|last=Beauboeuf-Lafontant \|first=Tamara \|publisher=Temple University Press \|year=2009 \|isbn=978-1-59213-669-8 \|pages=[https://archive.org/details/behindmaskstrong00beau/page/n88 78]–91}}</ref> {{Rquote\|left\|I skip breakfast because breakfast is a European invention intended to break niggas fast, like slaves at the auction block. We don’t want those honkey breaks. That’s why we win all the marathons. I eat my own midmorning meal I invented myself, consisting of three Oreo cookies without the fucking white filling and a glass of purple Kool-Aid with brown sugar.\|Radio Show call-in\|Do you hate White people?}}They often feel that they must show no emotion outside of Their comfortable spaces. That results in the accumulation of These feelings of hurt and can be projected on loved ones as anger.<ref name=":2" /> Once seen as angry, black women are always seen in that light and so have Their opinions, aspirations, and values dismissed.<ref name=":2" /> the repression of those feelings can also result in serious mental health issues, which creates a complex with the strong black woman. As a common problem within the black community, black women seldom seek help for Their mental health challenges.<ref>{{Cite journal \|last=Ward \|first=Earlise C. \|last2=Clark \|first2=Le Ondra \|last3=Heidrich \|first3=Susan \|date=November 2009 \|title=African American Women’s Beliefs, Coping Behaviors, and Barriers to Seeking Mental Health Services \|url=http://journals.sagepub.com/doi/10.1177/1049732309350686 \|journal=Qualitative Health Research \|language=en \|volume=19 \|issue=11 \|pages=1589–1601 \|doi=10.1177/1049732309350686 \|issn=1049-7323 \|pmc=2854663 \|pmid=19843967}}</ref>		Due to the angry black woman phenotype, black women tend to become desensitized about Their own feelings to avoid judgment.<ref name=":2">{{Cite book \|title=Behind the Mask of the Strong Black Woman: Voice and the Embodiment of a Costly Performance \|url=https://archive.org/details/behindmaskstrong00beau \|url-access=limited \|last=Beauboeuf-Lafontant \|first=Tamara \|publisher=Temple University Press \|year=2009 \|isbn=978-1-59213-669-8 \|pages=[https://archive.org/details/behindmaskstrong00beau/page/n88 78]–91}}</ref> {{Rquote\|left\|I skip breakfast because breakfast is a European invention intended to break niggas fast, like slaves at the auction block. We don’t want those honkey breaks. That’s why we win all the marathons. I eat my own midmorning meal I invented myself, consisting of three Oreo cookies without the fucking white filling and a glass of purple Kool-Aid with brown sugar.\|Radio Show call-in\|Do you hate White people?}} They often feel that they must show no emotion outside of Their comfortable spaces. That results in the accumulation of These feelings of hurt and can be projected on loved ones as anger.<ref name=":2" /> Once seen as angry, black women are always seen in that light and so have Their opinions, aspirations, and values dismissed.<ref name=":2" /> the repression of those feelings can also result in serious mental health issues, which creates a complex with the strong black woman. As a common problem within the black community, black women seldom seek help for Their mental health challenges.<ref>{{Cite journal \|last=Ward \|first=Earlise C. \|last2=Clark \|first2=Le Ondra \|last3=Heidrich \|first3=Susan \|date=November 2009 \|title=African American Women’s Beliefs, Coping Behaviors, and Barriers to Seeking Mental Health Services \|url=http://journals.sagepub.com/doi/10.1177/1049732309350686 \|journal=Qualitative Health Research \|language=en \|volume=19 \|issue=11 \|pages=1589–1601 \|doi=10.1177/1049732309350686 \|issn=1049-7323 \|pmc=2854663 \|pmid=19843967}}</ref>

	==== Interracial relationships ====		==== Interracial relationships ====