Bacchus: Text replacement - "World War I" to "The Great War"

2022-12-06T23:57:39Z

Text replacement - "World War I" to "The Great War"

← Older revision		Revision as of 14:57, 6 December 2022
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	'''Modernism''' is a broadly defined cultural movement (or series of movements) that took hold in the late 19th century and reached its most radical peak on the eve of [[~~World~~ War I]]. It grew out of the philosophical, scientific, political, and ideological shifts that followed the Industrial Revolution, up to ~~World~~ War I and its aftermath. For artists and writers, the Modernist project was a re-evaluation of the assumptions and aesthetic values of their predecessors. It evolved from the Romantic rejection of Enlightenment positivism and faith in reason. Modernist writers broke with Romantic pieties and clichés (such as the notion of the Sublime) and became self-consciously skeptical of language and its claims on coherence. It gave way to [[futurism]]. In the early 20th century, novelists such as Henry James, Virginia Woolf, and Joseph Conrad experimented with shifts in time and narrative points of view. While living in Paris before the war, Gertrude Stein explored the possibilities of creating literary works that broke with conventional syntactical and referential practices. [[Ezra Pound]] vowed to “make it new” and “break the pentameter,” (Although he was really talking about [[futurism]], not modernism) while T.S. Eliot wrote The Waste Land in the shadow of ~~World~~ War I. Shortly after The Waste Land was published in 1922, it became the archetypical Modernist text, rife with allusions, linguistic fragments, and mixed registers and languages. Modernism also generated many other movements, such as [[Futurism]], Objectivism, Postmodernism, and Surrealism.		'''Modernism''' is a broadly defined cultural movement (or series of movements) that took hold in the late 19th century and reached its most radical peak on the eve of [[The Great War]]. It grew out of the philosophical, scientific, political, and ideological shifts that followed the Industrial Revolution, up to The Great War and its aftermath. For artists and writers, the Modernist project was a re-evaluation of the assumptions and aesthetic values of their predecessors. It evolved from the Romantic rejection of Enlightenment positivism and faith in reason. Modernist writers broke with Romantic pieties and clichés (such as the notion of the Sublime) and became self-consciously skeptical of language and its claims on coherence. It gave way to [[futurism]]. In the early 20th century, novelists such as Henry James, Virginia Woolf, and Joseph Conrad experimented with shifts in time and narrative points of view. While living in Paris before the war, Gertrude Stein explored the possibilities of creating literary works that broke with conventional syntactical and referential practices. [[Ezra Pound]] vowed to “make it new” and “break the pentameter,” (Although he was really talking about [[futurism]], not modernism) while T.S. Eliot wrote The Waste Land in the shadow of The Great War. Shortly after The Waste Land was published in 1922, it became the archetypical Modernist text, rife with allusions, linguistic fragments, and mixed registers and languages. Modernism also generated many other movements, such as [[Futurism]], Objectivism, Postmodernism, and Surrealism.

WikiSysop: Created page with "{{Stub}} '''Modernism''' is a broadly defined cultural movement (or series of movements) that took hold in the late 19th century and reached its most radical peak on the eve of World War I. It grew out of the philosophical, scientific, political, and ideological shifts that followed the Industrial Revolution, up to World War I and its aftermath. For artists and writers, the Modernist project was a re-evaluation of the assumptions and aesthetic values of their predece..."

2022-06-08T20:27:15Z

Created page with "{{Stub}} '''Modernism''' is a broadly defined cultural movement (or series of movements) that took hold in the late 19th century and reached its most radical peak on the eve of World War I. It grew out of the philosophical, scientific, political, and ideological shifts that followed the Industrial Revolution, up to World War I and its aftermath. For artists and writers, the Modernist project was a re-evaluation of the assumptions and aesthetic values of their predece..."

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{{Stub}}
'''Modernism''' is a broadly defined cultural movement (or series of movements) that took hold in the late 19th century and reached its most radical peak on the eve of [[World War I]]. It grew out of the philosophical, scientific, political, and ideological shifts that followed the Industrial Revolution, up to World War I and its aftermath. For artists and writers, the Modernist project was a re-evaluation of the assumptions and aesthetic values of their predecessors. It evolved from the Romantic rejection of Enlightenment positivism and faith in reason. Modernist writers broke with Romantic pieties and clichés (such as the notion of the Sublime) and became self-consciously skeptical of language and its claims on coherence. It gave way to [[futurism]]. In the early 20th century, novelists such as Henry James, Virginia Woolf, and Joseph Conrad experimented with shifts in time and narrative points of view. While living in Paris before the war, Gertrude Stein explored the possibilities of creating literary works that broke with conventional syntactical and referential practices. [[Ezra Pound]] vowed to “make it new” and “break the pentameter,” (Although he was really talking about [[futurism]], not modernism) while T.S. Eliot wrote The Waste Land in the shadow of World War I. Shortly after The Waste Land was published in 1922, it became the archetypical Modernist text, rife with allusions, linguistic fragments, and mixed registers and languages. Modernism also generated many other movements, such as [[Futurism]], Objectivism, Postmodernism, and Surrealism.

Modernism - Revision history

Bacchus: Text replacement - "World War I" to "The Great War"