Byron de la Vandal: Difference between revisions
m (Apologies for the repeat edits, had some issues with the file and addressing this as a stub!) |
m (OK, IT WORKS NOW. Whew, that was a struggle.) Tag: visualeditor |
||
| Line 1: | Line 1: | ||
{{Stub}}[[File:Byron de la Vandal.png|thumb|Byron de la Vandal's profile picture and album cover for works prior to ''Songs from Wiemerica''.]] | |||
[[File:Byron de la Vandal.png|thumb|Byron de la Vandal's profile picture and album cover for works prior to ''Songs from Wiemerica''.]] | |||
Byron de la Vandal is the pseudonym of a former [[NatSoc|National-Socialist]] [[Music|musician]]<!-- I have quite an interest in music, and feel I could make enough articles on music (Individual pieces of note and artists) and musicians to justify the creation of a Fascist Music or Fascist Art category. I'll ask about this some other time when I'm ready to take on the project, but it's something to consider in the meanwhile. --> from Oregon. His real name will not be used out of respect for him and his legal restrictions. Known for his works such as ''To Keep and To Bear'', working alongside other musicians such as [[Paddy Tarleton]] and associating with the [[Northwest Front]]. In April of 2018, Byron was doxxed by his regional [[Antifa]] group on April 20th (They waited for this date, the birthday of [[Adolf Hitler]], purposefully. Despicable.) and soon after struck in the lawsuit streak of black woman Taylor Dumpson for "Cyber bullying." To avoid paying the 1.5 million dollars demanded in this lawsuit, expulsion from college and, allegedly, disowning from his parents, Byron settled on a mandated apology, 200 hours of "deradicalization" and "anti-hate training" as well as him being legally barred from supporting or associating with "white supremacy". Any continuation of his ''Songs from Weimarica'' series would be considered a crime - considering music was his greatest contribution to the movement, and he could be jailed were he to ever say his thoughts on the matter, he is in effect a political prisoner. After being tarred and feathered by the legal system for an uppity college student, little info has come out around his current doings and his associate Paddy Tarleton has also stopped producing music to protect his wife and kids from similar treatment. | Byron de la Vandal is the pseudonym of a former [[NatSoc|National-Socialist]] [[Music|musician]]<!-- I have quite an interest in music, and feel I could make enough articles on music (Individual pieces of note and artists) and musicians to justify the creation of a Fascist Music or Fascist Art category. I'll ask about this some other time when I'm ready to take on the project, but it's something to consider in the meanwhile. --> from Oregon. His real name will not be used out of respect for him and his legal restrictions. Known for his works such as ''To Keep and To Bear'', working alongside other musicians such as [[Paddy Tarleton]] and associating with the [[Northwest Front]]. In April of 2018, Byron was doxxed by his regional [[Antifa]] group on April 20th (They waited for this date, the birthday of [[Adolf Hitler]], purposefully. Despicable.) and soon after struck in the lawsuit streak of black woman Taylor Dumpson for "Cyber bullying." To avoid paying the 1.5 million dollars demanded in this lawsuit, expulsion from college and, allegedly, disowning from his parents, Byron settled on a mandated apology, 200 hours of "deradicalization" and "anti-hate training" as well as him being legally barred from supporting or associating with "white supremacy". Any continuation of his ''Songs from Weimarica'' series would be considered a crime - considering music was his greatest contribution to the movement, and he could be jailed were he to ever say his thoughts on the matter, he is in effect a political prisoner. After being tarred and feathered by the legal system for an uppity college student, little info has come out around his current doings and his associate Paddy Tarleton has also stopped producing music to protect his wife and kids from similar treatment. | ||
I'd imagine his song ''Bugman Blues'' weighs heavy on his mind now. While he is not yet of the age to experience the general slog described in the song, it's the best he can hope for in his future without risking arrest or worse. | I'd imagine his song ''Bugman Blues'' weighs heavy on his mind now. While he is not yet of the age to experience the general slog described in the song, it's the best he can hope for in his future without risking arrest or worse. | ||
Revision as of 19:10, 6 January 2023
Byron de la Vandal is the pseudonym of a former National-Socialist musician from Oregon. His real name will not be used out of respect for him and his legal restrictions. Known for his works such as To Keep and To Bear, working alongside other musicians such as Paddy Tarleton and associating with the Northwest Front. In April of 2018, Byron was doxxed by his regional Antifa group on April 20th (They waited for this date, the birthday of Adolf Hitler, purposefully. Despicable.) and soon after struck in the lawsuit streak of black woman Taylor Dumpson for "Cyber bullying." To avoid paying the 1.5 million dollars demanded in this lawsuit, expulsion from college and, allegedly, disowning from his parents, Byron settled on a mandated apology, 200 hours of "deradicalization" and "anti-hate training" as well as him being legally barred from supporting or associating with "white supremacy". Any continuation of his Songs from Weimarica series would be considered a crime - considering music was his greatest contribution to the movement, and he could be jailed were he to ever say his thoughts on the matter, he is in effect a political prisoner. After being tarred and feathered by the legal system for an uppity college student, little info has come out around his current doings and his associate Paddy Tarleton has also stopped producing music to protect his wife and kids from similar treatment.
I'd imagine his song Bugman Blues weighs heavy on his mind now. While he is not yet of the age to experience the general slog described in the song, it's the best he can hope for in his future without risking arrest or worse.